Location
Penn Station, NYC
Description
Pretty girl with head phones on and holding a Snapple bottle waiting for the LIRR screen to tell her what track her train was on.
Rating
6.5 - Attractive - Very Attractive
Opener
“What is your Snapple fun fact?”
Transition Question
“Where are you coming from?”
Kino
Yes, light touching on the arm.
Close
No
Details
I have decided to basically approach any girl holding a Snapple bottle because opening them is just so darn easy. In this instance I opened and then move to my default transition question when approaching women while using public transportation, which is either “where are you coming from” or “where are you headed.” I then just bantered and built rapport. After her response from, “where are you coming from,” I asked if she works or goes to school and then delved deeper from there until the conversation was cut short by the LIRR screen telling me my track number. I think I could have number closed in this instance, but I really didn’t much care. It is all in good practice and I am expanding the venues in which I approach women. I made sure I used kino. It is becoming more and more a part of me and feels very natural at this point. I do it all the time without even thinking much about it anymore and easily escalate, especially during night game. The only time I become self conscious of it is when there is some sort of physical barrier preventing me from applying kino.
Penn Station, NYC
Description
Pretty girl with head phones on and holding a Snapple bottle waiting for the LIRR screen to tell her what track her train was on.
Rating
6.5 - Attractive - Very Attractive
Opener
“What is your Snapple fun fact?”
Transition Question
“Where are you coming from?”
Kino
Yes, light touching on the arm.
Close
No
Details
I have decided to basically approach any girl holding a Snapple bottle because opening them is just so darn easy. In this instance I opened and then move to my default transition question when approaching women while using public transportation, which is either “where are you coming from” or “where are you headed.” I then just bantered and built rapport. After her response from, “where are you coming from,” I asked if she works or goes to school and then delved deeper from there until the conversation was cut short by the LIRR screen telling me my track number. I think I could have number closed in this instance, but I really didn’t much care. It is all in good practice and I am expanding the venues in which I approach women. I made sure I used kino. It is becoming more and more a part of me and feels very natural at this point. I do it all the time without even thinking much about it anymore and easily escalate, especially during night game. The only time I become self conscious of it is when there is some sort of physical barrier preventing me from applying kino.
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